Liste des billets comportant le tag ingmar bergman

ANDERS EK & GUDRUN BROST in GYCKLARNAS AFTON (La nuit des forains) - Ingmar BERGMAN (1953)

BIBI ANDERSSON in ANSIKTET (Le visage) - Ingmar BERGMAN (1958)

ANITA BJÖRK in KVINNORS VÄNTAN (L’attente des femmes) - Ingmar Bergman (1952)

HARRIET ANDERSSON in MONIKA - Ingmar BERGMAN (1953)

INGMAR BERGMAN & SVEN NYKVIST on the set of AUS DEM LEBEN DER MARIONETTEN (De la vie des marionnettes, 1979)

INGMAR BERGMAN - LIV ULLMANN - DAVID CARRADINE on the set of THE SERPENT’S EGG (L’oeuf du serpent - 1976)

ERLAND JOSEPHSON & LIV ULLMANN - SARABANDE - Ingmar BERGMAN (2003)

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Persona 1966 - Director: Ingmar Bergman

Bibi Andersson, Liv Ullmann, Gunnar Björnstrand

Persona is difficult to characterize in simple terms, but it may be helpful to describe this complex film as being an exploration of identity that combines elements of drama, visual poetry, and modern psychology. The central story revolves around a young nurse named Alma (Bibi Andersson) and her patient, a well-known actress named Elisabet Vogler (Liv Ullmann). Elisabet has stopped speaking, and the attending psychiatrist treats the actress by sending her to an isolated seaside cottage under Alma’s care. There the nurse, who must do all the talking for both women, becomes a little enamored of the actress. One evening Alma tells Elisabet about some exhilarating sexual experiences she once had and their unpleasant aftermath. Soon after sharing this confidence, the nurse reads a letter Elisabet has written and is shocked to learn that the actress thinks of her as an amusing study. The relationship between the women becomes tense, and they wound each other. Then Alma has a long dream in which her identity merges with that of Elisabet, but when the nurse awakes, both women have apparently come to at least temporary terms with their psychological problems. allmovie.com

(Reblogué depuis filmsdulosange-deactivated20120)

SOURIRES D’UNE NUIT D’ETE - Ingmar Bergman

“Je me trouvais dans les chiottes en train de lire un journal. Puis, j’ai lu « Un film suédois primé à Cannes », « Le cinéma suédois fait sensation » ou quelque chose comme ça. Merde, c’est quoi comme film, je me suis dit. Je pouvais à peine en croire mes yeux quand j’ai vu qu’il s’agissait de Sourires d’une nuit d’été.”

Ingmar Bergman

INGMAR BERGMAN aux Studios UNIVERSAL

Ingmar Bergman devant le requin de JAWS